NASHVILLE, Tenn. (Saturday, November 14, 2026) — Richard Sterban, whose deep bass voice anchored The Oak Ridge Boys for more than half a century and whose rumbling refrain on “Elvira” became one of the most familiar sounds in American music, died Saturday, November 14, 2026, in Hendersonville, Tennessee due to complications from bronchitis and pneumonia after fighting a long, hard battle with cancer. He was 83. His death was announced by his family and The Oak Ridge Boys. Sterban joined The Oak Ridge Boys in late 1972, walking away from a job singing behind Elvis Presley to chase a goal he had set for himself as a young man. “I wanted to be in the best vocal group in the world,” he said. With lead singer Duane Allen, baritone William Lee Golden and tenor Joe Bonsall, he helped carry a Southern gospel quartet into the heart of country and pop music. The group placed 34 singles in the country Top 10, 17 of them at No. 1, earned Grammy, Country Music Association and Academy of Country Music awards, and became members of the Grand Ole Opry, the Gospel Music Hall of Fame and the Country Music Hall of Fame. We appreciate all of your love, support, and prayers. Please continue to lift us up in this difficult time, we find comfort knowing that he is currently face to face with Jesus. – The Sterban Family To millions of fans, he was the voice at the foundation of the Oaks’ four-part harmony and, for a few famous bars of “Elvira,” (oom poppa mow mow), the voice out in front. Offstage, he was a sharp dresser, a lifelong baseball fan and longtime part owner of Nashville’s minor league team, and for more than 50 years a proud resident of Hendersonville, Tennessee. Richard Anthony Sterban was born April 24, 1943, in Camden, New Jersey, the city where Jimmie Rodgers recorded his first “Blue Yodel,” and grew up in nearby Collingswood. He started singing at age six as a soprano in Sunday school and sang tenor in his seventh-grade glee club. By the time he returned to school for eighth grade, his voice had dropped to bass. He loved sports and music but decided his greater talent was singing. After graduating from Collingswood High School, he studied music at Trenton State College, now The College of New Jersey. He later admitted that he often felt outsung by the other voice students, but he never lost his drive to perform, and before long professional singing pulled him away from the classroom. Gospel quartets were his first love. In the Philadelphia area, he helped found the Keystones, a gospel quartet in which a young Joe Bonsall would also sing. While singing part-time, he worked in a clothing store. “I developed a real interest in fashion, and it’s something that has carried through,” he said, and it showed in his carefully tailored stage clothes. The friendship he formed with Bonsall in those years grew into a partnership of some 50 years. In 1994, the two were honored together on the Philadelphia Music Alliance Walk of Fame. His path then led to J.D. Sumner and the Stamps Quartet, which Elvis Presley hired to sing behind him. For about a year and a half, Sterban sang with Presley onstage night after night, recorded with him and appeared in the 1972 concert film Elvis on Tour. Sumner had been a boyhood hero of Presley’s, and Sterban later wrote about watching Presley greet Sumner with a bear hug the day the Stamps first met him. Then The Oak Ridge Boys called. The gospel quartet, which had yet to score a country hit, needed a bass singer after the departure of Noel Fox. Sterban had to choose between the biggest stage in show business and his own dream. He chose the dream and joined the Oaks in late 1972. Bonsall followed in 1973, completing the lineup of Allen, Bonsall, Golden and Sterban that would carry the group through most of the next five decades. Years later, Sterban named his memoir for that journey: From Elvis to Elvira: My Life on Stage, written with Steven Robinson and published in 2012, with an updated edition in 2022. The book is filled with stories of his time with Presley and with the Oaks, many of them told there for the first time. Success did not come overnight. Johnny Cash featured the group in his touring show, had them sing harmony on his single “Praise the Lord and Pass the Soup” and helped them sign with Columbia Records in 1973, but the two albums they made for the label drew little notice. In 1975, while opening shows for Roy Clark, the group caught the attention of Clark’s manager, Jim Halsey, who told them they were one hit record away from being a major act and urged them to sing country. They signed with Halsey, toured the Soviet Union with Clark in 1976 as the first country group to perform there, and moved to ABC/Dot Records. “Y’all Come Back Saloon” reached No. 3 on the country chart in 1977, and the hits kept coming: “I’ll Be True to You,” the group’s first No. 1, followed by “Leaving Louisiana in the Broad Daylight,” “Trying to Love Two Women” and “(I’m Settin’) Fancy Free.” In 1978 the Country Music Association named the Oaks Vocal Group of the Year, and the Academy of Country Music named them Top Vocal Group. Their harmonies also turned up on records by other artists, including Paul Simon’s pop hit “Slip Slidin’ Away.” In 1981 came “Elvira.” The Dallas Frazier song, recorded for the album Fancy Free, went to No. 1 on the country chart and No. 5 on the pop chart, sold more than two million copies, was named Single of the Year by both the CMA and the Academy of Country Music, and won the Grammy Award for Best Country Performance by a Duo or Group with Vocal. Joe Bonsall sang lead, but the moment audiences waited for was Sterban’s booming bass refrain. The group shaped the record as a sing-along for families on the road, imagining mothers on the verses, children on the hook and fathers on the low part, and audiences sang it that way for decades. “It’s the song everyone hopes to hear at our concerts,” Sterban said on its 40th anniversary. “Bobbie Sue” (1982) became another No. 1 country hit and reached No. 12 on the pop chart, and “American Made” (1983) became both a No. 1 single and a familiar advertising jingle. Sterban stepped to the front himself on “Dream On,” a 1979 remake of a Righteous Brothers song that reached No. 7 on the Billboard country chart and No. 1 in Canada. It was the only Oak Ridge Boys single to feature him on lead vocal. Four of the group’s five Grammy Awards came during his years with the Oaks, three of them for gospel recordings, a reminder that the group never left its roots. Sterban remained a constant through every chapter. From 1987 to 1995, while Golden was apart from the group, the Oaks kept scoring No. 1 hits, including “Gonna Take a Lot of River” and “No Matter How High.” Golden returned just after midnight on New Year’s Eve 1995, when Sterban, Allen and Bonsall surprised a packed theater in Merrillville, Indiana, by welcoming him back onstage. The four sang together for the next 28 years. Honors followed: the Gospel Music Hall of Fame in 2000; the Vocal Group Hall of Fame in 2001, where the Oaks were the first country group inducted; the Academy of Country Music’s Cliffie Stone Pioneer Award in 2007; and, on August 6, 2011, membership in the Grand Ole Opry. The invitation had come a month earlier from Little Jimmy Dickens, who walked onstage in a fake beard and sunglasses dressed as William Lee Golden. On October 25, 2015, The Oak Ridge Boys were inducted into the Country Music Hall of Fame. Sterban said that as a young man singing in the dark behind Presley, he never imagined he would one day join him there. The Oaks performed for presidents from Gerald Ford to George W. Bush and counted one of them among their closest friends. George H.W. Bush first asked them to sing for him on the White House lawn in 1983, when he was vice president, and the friendship lasted the rest of his life. At Bush’s request, the group sang “Amazing Grace” at his funeral in Houston in December 2018, catching an overnight flight after a concert in Spokane, Washington, to be there. “There’s no way we wouldn’t do it,” Sterban said. The Oaks kept recording well into the 21st century. With producer Dave Cobb, they reached new listeners with The Boys Are Back (2009), which included a four-part-harmony version of the White Stripes’ “Seven Nation Army,” and went on to make records including 17th Avenue Revival (2018), Front Porch Singin’ (2021) and Mama’s Boys (2024). Baseball was his other great love. Sterban was among the investors in the Nashville Sounds when the minor league club began play in 1978 and remained a part owner for 30 years, attending spring training and taking bus trips with the team when his schedule allowed. He later served as the club’s official ambassador and did color commentary for Sounds games and for Vanderbilt University baseball. A fitness buff and avid cyclist, he kept one bicycle at home, another stowed in a bay under the tour bus and a travel case so he could check a bike on airplanes. He enjoyed fine restaurants, collecting wine, and sailing and snorkeling at the seashore. His longstanding interest in weather, including a fondness for the Weather Channel, led him to record public service announcements for NOAA Weather Radio, the voice of the National Weather Service, and he also served as the voice of the Classic Country channel on Sirius Satellite Radio. Hendersonville was home for more than 50 years. When the city dedicated The Oak Ridge Boys Bridge over Drakes Creek on Johnny Cash Parkway in October 2025, Sterban said, “There is no greater honor than to be honored by your hometown.” The group’s later years brought loss. Bonsall retired from the road at the end of 2023 and died July 9, 2024, of complications of ALS, closing a friendship that began when both were teenagers singing in Philadelphia-area quartets. Tenor Ben James stepped in, and Sterban sang on Mama’s Boys, the group’s first album with James. In May 2025, after appearing with the group at the Academy of Country Music Awards, Sterban stepped away from touring for health reasons, with Aaron Lee McCune and Tim Duncan singing bass on the road in his place. On January 30 and 31, 2026, he rejoined the Oaks at the Grand Ole Opry to sing “Elvira,” and the audience rose to its feet. “Having Richard on stage with us again was one of God’s greatest blessings,” Duane Allen said. He also sang on several tracks of Buried Treasures, the group’s October 2026 album. “We love to sing together, to harmonize together,” Sterban once said. “It’s what our lives are all about.” In a career that began in a Sunday school class in Camden and carried him from Elvis Presley’s stage to the Country Music Hall of Fame, Sterban made the bass singer, so often heard and so seldom noticed, impossible to overlook. Sterban is survived by his wife, Donna; his daughters, Lauren (Tyler) and Tori (Michael); his sons, Rich (Chele), Doug, and Chris; his grandchildren, Mali (Zachary), Nikolas, Tyler (Ryann), Madelyn, Alexandra, Rex, Owen, and Charli Grace; and his great-grandchildren, Salem, Asher, and Theo. He was preceded in death by his mother Victoria Sterban, brother Joseph Sterban, and grandson Zachary. Funeral arrangements will be announced later.

 

Courtesy of 2911 Media